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Framing the Virtual

Immersive exhibitions have a long history in art. The metaphor of immersion implies a plunge into an all-encompassing environment, where audiences are seemingly transported into alternate virtual realities. From panoramas and 3D cinemas to site-specific installations and performances, a wide variety...

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Formaat: Online
Taal:Engels
Gepubliceerd in: MDPI - Multidisciplinary Digital Publishing Institute 2025
Onderwerpen:
immersion
attention
social media
exhibitions
Vincent Van Gogh
media installation
digital art
art-themed immersive exhibition
reproductions
virtual art
affect
alterity
immersive art
masking
post-black art
postidentity
projection mapping
rhetoric of the gaze
surveillance
video installation
interactive digital art
collective experience
digital ecosystems
curating artists’ documentary film
deep mapping
digital arts
exhibition design
exhibition studies
contemporary art
LED walls
sound installation
consumer society
critical effects
display
perception
spectacle
dematerialization
sensorium
phenomenology
psychedelia
print
lithography
ephemera
San Francisco
exhibition
curation
museum
immersive exhibition
light
animation
Chinese American art
curatorial studies
cross-cultural studies
experimental documentary
immersive exhibitions
video art
Australian Aboriginal art
digital representation
immersive virtual exhibition
digital exhibitions
WebXR
virtual reality
virtual environments
digital curation
virtual galleries
metaverse
3D
n/a
thema EDItEUR::A The Arts
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
Online toegang:ONIX_20250812T110751_9783725836185_100
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