Framing the Virtual

Immersive exhibitions have a long history in art. The metaphor of immersion implies a plunge into an all-encompassing environment, where audiences are seemingly transported into alternate virtual realities. From panoramas and 3D cinemas to site-specific installations and performances, a wide variety...

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Bibliographische Detailangaben
Format:	Online
Sprache:	Englisch
Veröffentlicht:	MDPI - Multidisciplinary Digital Publishing Institute 2025
Schlagworte:	immersion attention social media exhibitions Vincent Van Gogh media installation digital art art-themed immersive exhibition reproductions virtual art affect alterity immersive art masking post-black art postidentity projection mapping rhetoric of the gaze surveillance video installation interactive digital art collective experience digital ecosystems curating artists’ documentary film deep mapping digital arts exhibition design exhibition studies contemporary art LED walls sound installation consumer society critical effects display perception spectacle dematerialization sensorium phenomenology psychedelia print lithography ephemera San Francisco exhibition curation museum immersive exhibition light animation Chinese American art curatorial studies cross-cultural studies experimental documentary immersive exhibitions video art Australian Aboriginal art digital representation immersive virtual exhibition digital exhibitions WebXR virtual reality virtual environments digital curation virtual galleries metaverse 3D n/a thema EDItEUR::A The Arts thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
Online-Zugang:	ONIX_20250812T110751_9783725836185_100
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Framing the Virtual

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